Society of Illustrators Museum of Illustration, 128 East 63rd Street, New York, NY 10065. March 11 - October 24, 2020. Entry Mural image by Collen Doran. Poster image by Afua Richardson. Downstairs mural image by Ramona Fradon. Photos by Steve Compton, courtesy of Society of Illustrators.
See the Women in Comics page for contextual information and artist bios. Exhibition curated by Kim Munson and Trina Robbins with special thanks to Karen Green and John Lind.
3/6 in San Diego, Balboa Park; SD Comics Fest 3/7 - 10.
I’m headed to San Diego Comics Fest to visit with friends and participate on a panel about comic art and museums:
Saturday, Mar 9, 2019, 3:00 PM (Palm B)
Comic art and comics are finally being recognized as worthy of display in galleries and museums. What are the best ways to present it to the public? How are new facilities like the Comic-Con Museum approaching their mission of education and entertainment? What does it mean for artists and the medium?
Join Comic-Con Museum Director Adam Smith, author/scholar Kim Munson, and award-winning artist Mark Schultz for a wide-ranging exploration of the issues, moderated by Rob Salkowitz. Here’s link to their site: https://www.sdcomicfest.org/
I’m looking forward to hearing from Adam how the San Diego Comic-Con Museum project is progressing. Weds night 3/6, the museum is organizing an Eisner Week event, which I will be attending:
March 6, 2019 6pm – 9pm
Future Home of the Comic-Con Museum
2131 Pan American Plaza, Balboa Park | San Diego, California 92101
“Cover Story: The Art of Comic-Con 50,” is a new exhibition at the future home of the Comic-Con Museum in Balboa Park. Explore the past 50 years of Comic-Con covers through striking examples of original art and process pieces that explore the creation of a cover, from thumbnail sketches to finished pencil and ink art to fully-colored finished pieces. Drawing from Comic-Con’s archives, the exhibition celebrates art as an integral tool in promoting the organization’s mission of creating awareness of, and appreciation for, comics and related popular artforms. The exhibition includes pieces from talent as diverse as Jack Kirby, Bruce Timm, Dave McKean, Moebius and Steranko.
As one of the benefits of being a Charter Member of the Comic-Con Museum, you will have an opportunity to view this exhibit ahead of the general public, at the Museum’s first ever Exhibit Opening Reception from 6pm – 9pm, March 6, 2019.
8pm Special Program: Will Eisner & The Spirit of Service
In the Comic-Con Museum Theater
In addition to the opportunity to view Cover Story: The Art of Comic-Con 50, the Museum will also be hosting a special panel discussion honoring Will Eisner on what would have been his 102nd Birthday. The panel will take a focused look at Eisner’s life and work, while evaluating his commitment to education, military service, and professional development.
The Splashing Ink on Museum Walls panel (L to R): Rob Salkowitz, Kim Munson, Ann Nocenti, Adam Smith, and Emil Ferris. 7/19/2018. Photo by Jamie Coville.
At 4:00 on the first full day of San Diego Comic-Con, the five of us had a wide-ranging discussion about art, museums, and their importance before a full house in Room 29. Rob Salkowitz (Forbes, ICv2), the moderator and organizer, began the discussion with a reminiscence of seeing R. Crumb's Genesis at the Seattle Art Museum and how amazing it was to see the drawings of a comic artist displayed with art by Rembrandt, Durer, and Picasso as contextual ancestors. Rob wrote about this show in his essay "Splashing Ink on Museum Walls: How Comic Art is Conquering Galleries, Museums, and Public Spaces" which is included in the second issue of IDW's new hardcover art magazine Full Bleed. (I am also reprinting it in my book). The discussion touched on many topics, like the importance of narrative to exhibits of comics and different exhibit strategies. We talked about the influence exhibits have on artists viewing the work. Plans for the new SDCC Museum were discussed.
Specifically, I gave a capsule run-down on the history of exhibits of comic art from 1930 up to the 2005 show Masters of American Comics. Ann Nocenti is one of the organizers of the epic Marvel: Universe of Comics show currently on view at MoPop in Seattle. She described some of the strategies curators used to draw attention to original comic art within a very large, busy show stuffed with props, costumes, and characters from the Marvel movies. Emil Ferris, who would win 3 Eisners for My Favorite Thing is Monsters the next evening, spoke of how the masterpieces in the collection of the Art Institute of Chicago were an important part of her life and her book.
Adam Smith, making his first appearance as the Executive Director of the newly announced San Diego Comic-Con Museum, told us of CCI's plans for the museum which assumed the 37-year lease of the former San Diego Hall of Champions. The museum will not be a collecting institution. It will be a museum of pop culture celebrating all of the passionate constituencies that made SDCC the phenomenon it is. They plan on 3 large galleries for temporary exhibits, a cafe, and retail space. The full third floor will be an education center and galleries dedicated to comic art. They are currently in the fundraising stage and need to raise $35 MIL to remodel the existing space. Smith hopes to announce the opening date next year at SDCC's 50th Anniversary convention. If all goes to plan, the museum might open in 2022. Here's a promotional video about the museum project:
It was a spirited discussion and the audience seemed enthusiastic about the museum and about the topic of exhibitions in general. I hope the continued normalizing of comic art in museum exhibits will bring more recognition to artists and more opportunities for museums, scholars, curators, and art historians to explore and understand this important art form.
Listen to our discussion, archived on the Jamie Coville Experience. Selected by Heidi McDonald of The Beat as one of the top 17 comics history panels at SDCC (it's quite a list).
I am happy to say that I am returning to San Diego Comic Con with the Thursday afternoon panel Splashing Ink on Museum Walls: "Do comics belong in museums? Lots of major art and cultural institutions seem to think so, with ambitious new shows and comic art museums springing up everywhere, including one spearheaded by Comic-Con itself. Artist/writer Emil Ferris (My Favorite Thing Is Monsters), Kim Munson (editor, From Comics to Frames: Comic Art in Museums), writer/editor and exhibition consultant Ann Nocenti, and SDCC museum director Adam Smith converse about the future of comics on display, moderated by Rob Salkowitz (Forbes, Full Bleed). http://sched.co/FQnu
Raven photo: Hristo Pershev/Shutterstock. All opinions and images shared here are for scholarly purposes.
Kim Munson is a writer, art historian, independent curator, and fine artist based in the San Francisco Bay area. Her publications include the photography book Dual Views: Labor Landmarks of San Francisco, On Reflection: the Art of Margaret Harrison, and several articles about comic art and pop culture.
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